1973, lives and works in Berlin and Lima
| 2002 – 2005 | Berlin University of the Arts (UdK), Institute for Art in Context: Master of Arts |
| 1999 – 2002 | Kunsthochschule Kassel [Kassel University of Arts]: studies and degree in Visual Arts |
| 1990 – 1995 | Pontificia Universidad Católica del Perú [Pontifical Catholic University of Peru]: Bachelor of Arts in Painting |
| 2008 | Submitted professorship for Painting, Kunsthochschule Kassel |
| 1998 | Drawing II, Fine Arts School Lima (Peru) |
| 2022 | Neu Start Kultur, scholarship of Stiftung Kunstfonds [Art Fund Foundation] |
| 2022 | Al Lado, Artist-in-Residence program, Lima |
| 2018 | Mentoring program for highly qualified artists and art researches at the Berlin University of the Arts (UdK) |
| Since 2010 | Kunstquartier Bethanien art center, studio program funded by the Senate of Berlin and bbk Berlin |
| 2008 | Frans Masereel Centrum, Artist-in-Residence in Printing, Belgium |
| 2006 | Goldrausch Project for Women Artists, Berlin |
| 2002 – 2004 | KAAD [Catholic Academic Exchange Service] |
| 2019 | “El vestido al revés” [“Dress the other way round”], ICPNA Cultural (Peruvian-North American Cultural Center), Lima, Peru. Curated by Miguel A. López |
| 2021 | Hablo un borde extraño” [“I speak a strange edge”], Galería Del Paseo, Lima, Peru. Curated by Miguel A. López |
| 2019 | “Cortar el aire” [“Cutting the air”], Museo de Arte de San Marcos [Art Museum of the University of San Marcos], Lima, Peru |
| 2018 | “Umbra”, wall works at Socorro Polivalente, Lima, Peru |
| 2012 | “Enfant Terrible”, ICPNA Cultural (Peruvian-North American Cultural Center), Lima, Peru |
| 2011 | “Cut Dreams Extended Drawing”, gallery of Paris 8 University, Department of Fine Arts, Paris, France |
| 2009 | “A Través Through”, Superbien project space, Berlin, Germany |
| 2008 | “Animas”, Art Association Bernau-Berlin |
| 2007 | “Personanormal”, Forum gallery, Lima, Peru |
| 2007 | Structures of Feeling”, Ulf Wetzka gallery, Berlin, Germany |
| 2007 | “Ser Res”, Ulf Wetzka gallery, Berlin, Germany |
| 2022 | “Momente der Erzählung” [“Moments of Narration“], Haus Kunst Mitte – House for Contemporary Art, Berlin, Germany |
| 2021 | “Tania Bedriñana / Bente Stocke“, duo exhibition, Edvard Munch House, Warnemünde, Germany |
| 2021 | HAY ALGO INCOMESTIBLE EN LA GARGANTA – Poéticas antipatriarcales y nueva escena en los años noventa, ICPNA Cultural (Peruvian-North American Cultural Center), Lima (Peru), curated by Miguel A López (catalogue) |
| 2021 | Art Prize of ICPNA Cultural (Peruvian-North American Cultural Center), exhibition of the finalists, Lima, Peru |
| 2021 | “Moving Feeling”, Untitled Art fair, Javiera Aninat Projects (Chile) & Galería del Paseo, Lima, Peru and Miami, USA |
| 2021 | “Hay algo incomestible en la garganta – Poéticas antipatriarcales y nueva escena en los años noventa” [“Hard to Swallow: Antipatriarchal Poetics and the New Scene in the 1990s”], ICPNA Cultural (Peruvian-North American Cultural Center), Lima, Peru. Curated by Miguel A López |
| 2019 | “Possible Books”, art book project presented at Art Book Fair, Hamburger Bahnhof – Nationalgalerie der Gegenwart [Hamburger Bahnhof, National Gallery for Contemporary Art], Berlin, Germany |
| 2019 | “Wesen” [“Creatures”], Tania Bedriñana and Maryna Baranovska, Meinblau project space, Berlin, Germany. Curated by Dr. Marie Christine Jadi |
| 2019 | “Im großen Schiff der Gefühle” [“On the Great Ship of Feelings”], Association of Berlin Women Artists 1867, Torstraße 111 project space, Berlin, Germany |
| 2019 | “The Ahh-ness of Things”, project room 1, Kunstquartier Bethanien art center, Berlin, Germany |
| 2012 | Anna Schmidt, Kunst im Hafen, Düsseldorf A través del dibujo, Museo de Arte de San Marcos Lima (Peru), Museo Tambo Quirquincho (Bolivia) |
| 2018 | “12 aus 46“, exhibition of the Association of Berlin Women Artists 1867, Käthe Kollwitz Museum, Berlin, Germany. Curated by Dr. Anna Havemann |
| 2017 | “Fortsetzung Jetzt! – 150 Jahre Verein der Berliner Künstlerinnen 1867” [“Continuation, Now! – 150th Anniversary of the Association of Berlin Women Artists”], Alte Kaserne gallery, Spandau Citadel, Berlin, Germany. Curated by Claudia Beelitz |
| 2017 | “Be my Memory: A Selection of Contemporary Art from Peru”, Y Gallery, New York, USA. Curated by Miguel A. López |
| 2016 | “Retour” [“Return”], anniversary of Stellwerk Kassel (exhibition room of the Kassel Art College), Kassel, Germany |
| 2016 | “Colección Permanente Siglo XX-XXI” [“Permanent Collection of the 20th and 21st Centuries”], Museo de Arte de San Marcos (Art Museum of the University of San Marcos), Lima, Peru |
| 2011 | “Obscura Patina”, Art Association of Neukölln, Berlin, Germany |
| 2010 | “Paraísos y Prisiones”, L’Imaginaire gallery, Alliance Francaise, Lima, Peru |
| 2004 | “MAC in Transit”, Museum for Contemporary Art (MAC), Santiago de Chile, Chile |
| 2022 | “El vestido al revés” [“The Dress backwards”]. Solo catalogue. Texts by Miguel A. López: “An Ear from a Hand from a Blotch from a Dress“ and Florencia Portocarrero: “Butterfly Wings: The Fragile Subversion of Tania Bedriñana“. Ed. ICPNA Cultural (Peruvian-North American Cultural Center), Lima, Peru |
| 2019 | “Cuadernillo” [“Booklet”]. Catalogue for the exhibition “Cortar el aire – Recorte contemporáneo” [“Cutting the Air – Contemporary Cut-Out”]. Ed. Museo de Arte de San Marcos (Art Museum of the University of San Marcos), Lima, Peru (several authors) |
| 2019 | “Wesen” [“Creatures”]. Exhibition text by Dr. Marie Christine Jàdi, Meinblau project space, Berlin, Germany |
| 2012 | “Enfant Terrible”. Catalogue. Text by Ferenc Jàdi: “Radicalism in Drawing“, Ed. ICPNA (Peruvian-North American Cultural Center), Lima, Peru |
| 2006 | “Magma”. Catalogue. Text by Harm Lux: “Von Inseln und Empathie“ [“On Islands and Empathy”]. Ed. Goldrausch Project for Women Artists, Berlin, Germany |
| 2006 | “Ser/Res”. Solo catalogue. Text by Gabriela Germana: “The logic of instability“. Ed. Forum gallery, Lima, Peru |
| Jorge Perez Collection, Miami, USA | |
| Collection of the Museo de Arte de San Marcos (Art Museum of the University of San Marcos), Lima, Peru | |
| Collection of ICPNA (Peruvian-North American Cultural Center), Lima, Peru | |
| Alberto Rebaza Collection, Lima, Peru |
| 2016 | Academy of Fine Arts Vienna, appointment process for the professorship of Figurative Painting |
| 2014 | Philipps University of Marburg, appointment process for the W2 professorship of Painting and Graphic Design (tertio loco) |
| 2009 | Dresden University of Fine Arts, appointment process for the W2 professorship of Painting |
| since 2017 | Member of „Verein der Berliner Künstlerinnen 1867, Association of historical and contemporary berlin women artists, founded in 1867 |
| since 2020 | Represented by Galeria del Paseo Lima, Peru |